Wearing Sexuality

A major aspect of defining the difference between Tammy and Mandy is recognizing the divergence in how they do or do not display their sexual experience through their aesthetic. Tammy makes it clear what she has known and she has always known too much. Her identity relies on having seen it all before and she challenges you to present her with something she hasn’t yet put in her vagina. Tammy’s attitude projects both that she has no time for sexual indulgences because she has seen it all before, and that she has an inevitable drive toward repeating those sexual indulgences.
No matter how much sex Mandy has had, her gentle naiveté demonstrates her disinterest in sex compared to the romance surrounding sex. Mandy’s identity is based on that there is so much more to know about love, for which sex is only one of the exciting components [the other components include slow dancing, teddy bears, and anything French].


She has slept with both your sisters...She's not sure what a blow job is

Sexually active Tammy (without the kids you would still have a feeling she doesn't remember when she had a hymen) :


Sexually active Mandy (without the kids you might assume she had only practiced open mouth kissing with a mirror) :


Unknowingly dodging the dualities, Courtney is actually a virgin whore (not so much in a self-aware Cybill Shepherd circa 1970s way; rather, in a way that she emulates prostitutes only because they are beautiful, not sexual). Courtneys may have a lot of sex and know a lot, but she responds to it in a way similar to how Mandy does.


Mistys have a lot of sex to produce children, which she somehow thinks will make her look more virginal. It's a vicious cycle.